Wednesday, February 1, 2017

A Salute; Zelda Wynn Valdes - Fashion Designer Costumer - Black History Month 2017

Zelda Wynn Valdes was an African-American fashion designer and costumer. Valdes hailed from Chambersburg, Pennsylvania. Learning her trade from her Grandmother and while working with her uncle in his White Plains, New York tailoring shop.

Valdes Strikes Out on Her Own

Zelda's designer pieces have draped some of the most curvaceous and famous women of the era such as 
Eartha Kitt, Mae West, Dorothy Dandridge, Josephine Baker, Ella Fitzgerald, Ruby Dee, Sarah Vaughan,  Marian Anderson, and many others.

In 1948, Valdes opened her own boutique and christened it  "Chez Zelda"  in Manhattan on Broadway in New York


Ms. Valdes' fashion glamorous designs concentrate on accentuating the wearer's figure. This reason is why her line caught the eye of Hugh Hefner, owner of the Playboy Corporation. 

The design of the original Playboy uniform aka Playboy Bunny Costume has been partly attributed to Ms. Valdes. 

THE 70s

In 1970 Arthur Mitchell needed a designer for his new dance company, the Dance Theatre of Harlem and persuaded Zelda to become the head costume designer for the company. The position obviously agreed with her, she spent the next eighteen years in its employ and at eighty-three years old retired. 

Zelda Wynn Valdes' Legacy

Ms. Valdes was a pioneer of color who designed and costumed other pioneer females who graced the entertainment industry of her time. Assisting these women in celebrating themselves physically and building their confidence. Zelda built her client base and business herself in a time of oppression for women and Blacks. Not often is one blessed to work at something they love and at the same time pave the road for other Afro-American's to aspire. 

Friday, January 27, 2017


Thursday, January 26 was the 125th birthday of Elizabeth "Bessie" Coleman. Google saluted "Queen Bess" as she was later known, on her special day with a Doodle.

For those unfamiliar with this shero; born January 26,  in 1892, the tenth of thirteen children of hard-working sharecroppers, George and Susan Coleman. Bessie's father, George, left his family behind in 1901 returning to Indian Territory in Oklahoma unable to withstand the prejudices against him, being of African / Cherokee heritage.

The Early Years
Regardless, Coleman attended a one-room schoolhouse until the eighth grade excelling in math. Each school year Bessie and her siblings were pulled out of school to tend to the cotton harvest, in order to keep a roof over their heads and food on the table. This was a scenario that played out in most households all over the south. 

At eighteen Coleman gathered her meager savings and enrolled in the Oklahoma Colored Agricultural and Normal University (better known now as Langston University) in Langston, Oklahoma. Returning home, to a town that she already knew held no future, after the first term due to lack of funds to continue with her education.  

First Stop Chicago
In  1915 Bessie migrated to Chicago and landed a job as a manicurist. Customer's, mostly returning WWI veteran pilots, bragging of their war adventures overseas. Bessie listened in fascination to these tales that stirred a hunger in the young woman's soul to become a pilot and see the world. 

“I refused to take no for an answer.” Bessie Coleman
Gaining entry into an American flight school was out of the question due to Coleman's skin color and sex. Black American aviators weren't interested in training her either. The publisher of the Chicago Defender suggested Bessie study abroad, she received financing from banker Jessie Binga and the Defender Newspaper company. This backing by the news firm was not only a good will gesture but seen as an excellent promotional idea. Taking full advantage of Bessie's beauty her outgoing personality and the huge risk of the undertaking. In preparation for her trip, Coleman took a French language class at a school in Chicago then was off to Paris in November of 1920. 

The first plane Elizabeth learned to fly was a Nieuport Type 82 biplane, which had a steering system the shape of a vertical baseball bat, and located under the pilot's feet. 
The Federation Aeronautique Internationale, presented Elizabeth 'Bessie" Coleman, with her license on June 25, 1921. The first African American woman to earn an international aviation license and a pilot's license. Determined to be the best Bessie spent her last two months in France training with a French ace pilot, in September she set sail for home.

“The air is the only place free from prejudices.” Bessie Coleman
In her chosen profession as an aviator, Coleman determined that in order to make a living she would need to find work with an airshow. Barnstorming was all the rage, stunt flying, highly competitive. and more training was needed for this type of flying.
Again, Bessie was pushed up against the same old wall; no one wanted to train a black woman in the states, so back to Europe she went in February of 1922. Training in France finishing an advanced flight class, the Netherlands and then finally in Germany, under the tutelage of the Fokker Corporation's chief pilot. Returning to the states in 1921.
Upon her return, Bessie earned the nickname "Queen Bess" and was the top draw in barnstorming events over five years straight. A darling of the media and admired by both blacks and whites. Her plane of choice was the Curtiss JN-4 or Jenny biplanes. In a stall and crash on February 22, 1922, Coleman suffered broken ribs and broken leg by September of the same year she made her first public appearance since the crash. It was an important event in Coleman's mind honoring the World War I veterans from the all black 369th Infantry Regiment on Curtiss field. Bess was advertised as "the world's greatest woman flier" she was among her peers with eight other American pilots and black parachutist Hubert Julian.

Live Life with a Purpose
Bessie was often criticized as opportunistic and flashy by the press, this fueled her drive even more to become the best and most daring pilot never shying away from a complicated stunt. Her love of flying never dampened her dream to "amount to something".
The African American Seminole Film Producing Company offered Coleman a role in a film Shadow and Sunshine. Bessie jumped at the chance hoping the exposure would give her career the boost and provide the money needed to start her own flying school. Alas, the film opportunity was a bust. The first scene of the piece dictated that Bessie appear with a walking stick dressed in ragged clothes. Coleman refused, walking off the set, never to return. Not only was Bessie daring, but a woman of character who had no intention of cementing the stereotypes of her people forever in film.

"I decided blacks should not have to experience the difficulties I had faced, so I decided to open a flying school and teach other black women to fly. " Bessie Coleman

Bessie Coleman, a Woman of Substance
Coleman never saw her dreams come to fruition. On April 20, 1926, age thirty-four, in Jacksonville, Florida Elizabeth "Bessie" Coleman was killed. Bessie was a passenger in her recently purchase Curtiss JN-4. Not wearing a seat belt Bessie wanted to look over the cockpit and terrain preparing for a jump the following day. Ten minutes into the flight the pilot, William Willis, Coleman's publicity agent,  and mechanic put the plane into a nose dive that it would not come out of instead the plane went into a tailspin. Bessie was thrown from the plane, 500 feet in the air at 150 mph dying on impact. The pilot also perished as the plane hit the ground bursting into flames. 

Queen Bess' Legacy

  • In 1927, Bessie Coleman Aero Clubs sprang up throughout the country. On Labor Day, 1931, these clubs sponsored the first all-African American Air Show, which attracted approximately 15,000 spectators.
  • That same year, a group of African-American pilots established an annual flyover of Coleman's grave in Lincoln Cemetery in Chicago. Coleman's name also began appearing on buildings in Harlem.
  • In 1989, First Flight Society inducted Coleman into their shrine that honors those individuals and groups that have achieved significant "firsts" in aviation's development
  • A second-floor conference room at the Federal Aviation Administration, Washington, DC, is named after Coleman. In 1990.
  • Chicago Mayor Richard M. Daley renamed Old Mannheim Road at O'Hare International Airport "Bessie Coleman Drive." In 1992, he proclaimed May 2 "Bessie Coleman Day in Chicago."
  • Mae Jemison, physician, and former NASA astronaut wrote in the book, Queen Bess: Daredevil Aviator (1993)

    *1995, she was honored with her image on a U.S. postage stamp and was inducted into the Women in Aviation Hall of Fame.

  • In 1999 she was designated a Women's History Month Honoree by the National Women's History Project.
  • In November 2000, Coleman was inducted in The Texas Aviation Hall of Fame.
  • She is the subject of Barnstormer, a musical that debuted 20 October 2008 at the National Alliance for Musical Theater Festival in New York; the book and lyrics are by Cheryl Davis and the music is by Douglas Cohen.
  • In 2004, a small park in the Southside Chicago Hyde Park neighborhood was named "Bessie Coleman Park."
  • 2007, a street in Gateway Gardens, Frankfurt am Main, Germany was named after her.
  • The ninetieth anniversary of her first flight, July 23, 2011, was commemorated by a reading of parts of some of her biographies and an exhibition of model aircraft at Miller Field (Staten Island, New York), a former United States Air Force facility.

Tuesday, January 10, 2017

The New Edition Story - Premiere, Three Part Series, Jan 24, 2017 on BET - pmccray

A three-night celebration of legendary music group New Edition giving fans the inside scoop from beginning to end
Woody McClain as Bobby Brown, Algee Smith as Ralph Tresvant, Elijah Kelley as Ricky Bell, Bryshere Y. Gray as Michael "Mike" Bivins, Luke James as Johnny Gill and
Keith Powers as Ronnie DeVoe
Check your local listings for date and time 























I am not ashamed of my grandparents for having been slaves. I am only ashamed of myself for having for having at one time being ashamed. - Ralph Ellison, "Invisible Man"

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